I’m working on removing as much as I can from the frame.But the birds afrontting the sun? I can’t stop quite yet.
the coast, October 2014
film

I’m working on removing as much as I can from the frame.

But the birds afrontting the sun?
I can’t stop quite yet.

the coast, October 2014

film

A stadium’s worth of Mystificatory Piety.
October 2014
film

A stadium’s worth of Mystificatory Piety.

October 2014

film

There are no correct readings only reproductions and piracy.
Kenneth Goldsmith
*
August 2014
film

There are no correct readings
only reproductions and piracy.

Kenneth Goldsmith

*

August 2014

film

It was a real story and a very sensitive content.
Inge Druckreyin Teaching to See
*
August 2014
film

It was a real story and a very sensitive content.

Inge Druckrey
in Teaching to See

*

August 2014

film

It is important to understand letters as motion;the written letter is a memory of motion.
Inge Druckrey
*
August 2014
film

It is important to understand letters as motion;
the written letter is a memory of motion.

Inge Druckrey

*

August 2014

film

On my second-to-last visit to The Foundry.
The Summer, 2014
film

On my second-to-last visit to The Foundry.

The Summer, 2014

film

I’m near the ocean. There is a lack of red here.
No red inside, no red out.

It doesn’t make me nostalgic for the loss.
What does it mean for a color to disappear?

And if I hadn’t made these photos right before I left,
how long would it have taken me to notice?

Ever?

October 2014

film

Yesterday, covered in bruises and chocolate cake,
I attempted a few handstands on the roof of a parking garage near downtown Houston.

Yeah, yeah, attempted.

As the sun set, Ashley MacLean shot, amongst other things, a small video of the act.

We particularly liked the windows of the tallest townhomes
peaking over the edge of our makeshift space.

We particularly liked everything.

With my phone I shot this video of his video of my handstands.

Of all the photographs I make, I generally am most over-the-moon about the random ones I spontaneously ask other people to take on my camera in the midst of shooting more ‘serious’ work. I especially love when they have no idea how a film camera works and wonder what button to press.These images look and feel how, on the inside, I look and feel —a little too fleshy, starry-eyed & tussled in half-smile.Am took this of me and America in one of my favorite [albeit temporary] places to be in Houston.
September 2014
film

Of all the photographs I make, I generally am most over-the-moon about
the random ones I spontaneously ask other people to take on my camera in the midst of shooting more ‘serious’ work.

I especially love when they have no idea how a film camera works and wonder what button to press.

These images look and feel how, on the inside, I look and feel —
a little too fleshy, starry-eyed & tussled in half-smile.


Am took this of me and America in one of my favorite [albeit temporary] places to be in Houston.

September 2014

film

America in the guest bedroom of a different guest.
September 2014
film

America in the guest bedroom of a different guest.

September 2014

film

Deep is the reverie… and deeper and deeper.
Michelet
September 2014
film

Deep is the reverie… and deeper and deeper.

Michelet

September 2014

film

Twenty-Eight Six Thirteen / Thirty Six Thirteen
June 2013
film
*
Self-Portrait with Am Montoya

Twenty-Eight Six Thirteen / Thirty Six Thirteen

June 2013

film

*

Self-Portrait with Am Montoya

This may simply pointto abstract shapes and colors on a page.
July 2014
film

This may simply point
to abstract shapes and colors on a page.

July 2014

film

half-believing night habit
couldn’t much less daren’t
had to
my usual self beginning again
only absence maybe now 
uncertain to the edges

*

September 2014
film

half-believing night habit

couldn’t much less daren’t

had to

my usual self beginning again

only absence maybe now

uncertain to the edges

*

September 2014

film

The night is so calm that it appears salty to me.
Paul Claudel
*
September 2014
film

The night is so calm that it appears salty to me.

Paul Claudel

*

September 2014

film